“Whereas the job market effects of AI in 2025 were still quite ambiguous, AI capabilities have advanced rapidly in the past few months,” Anton Korinek, an economist who focuses on the economic impact of transformative AI, told Fortune. “This may be the beginning of a new trend where white-collar jobs become threatened more seriously by AI. Once a few companies start the trend, competitive forces may induce others to follow suit.”
Death is not taken lightly in Scream 7, even as the kills get outrageous. By the time the franchise got to Scream 3, it began giving into an ugly slasher cliche: making most of the victims unlikable before they die. Presumably, this is so the audience can enjoy the violent spectacle, rather than being saddened as the body count grows. In Scream 3, this series turned abruptly misogynistic, featuring a blonde actress (Jenny McCarthy) who is depicted as "nagging" before being slaughtered, then a sweet ingénue (Emily Mortimer) who, before being killed, is slutshamed for sleeping with a producer to get the role of Sidney in Stab 3. (See also Alison Brie's wickedly opportunistic PR agent in Scream 4.)
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